What makes a good travel photo?
Ask ten people what makes a good travel photo and you’ll probably get ten different answers. Most people would agree that a sense of place is important, but after that it gets harder to reach agreement.
How do you achieve a sense of place? As a beginner, I’m still groping around for answers. Until I moved to Zambia in 2015, the question rarely crossed my mind. Yes, I’d flicked through magazines and newspapers, with their Travel sections and colour supplements. But that was about it – if I wasn’t interested in the location, I’d turn the page and move on.
So what do I think now? What qualities make a good travel photo?
-If the photo’s going to stand alone, it needs to announce where it was taken. It’s something of a cliché, but if you want to illustrate Paris, a picture of the Eiffel Tower hits the mark. The skill lies in presenting the Eiffel Tower differently from the millions of photographers who’ve been there before.
-Once the scene is set and viewers know where they are, it’s time to wander off the beaten track and look for offbeat details that illustrate your location. For me this is the most interesting part of travel photography.
“Chess players” was shot in Lusaka, outside the city hospital, and for me it sums up the sociable outdoor life of Zambia.
-Graphic impact helps to grab the viewer’s attention and keep it – see “Long lasting pots” for example, at the start of this post. As an added bonus, the writing on the wall leaves viewers in no doubt about where the picture was taken.
Clearly there’s a lot more to say about the craft of good travel photography and I’ll come back to the subject in future posts. In the meantime, I’m interested to hear your views. Leave a comment and let me know what you think.
Written by Richard Alton
Photographer and writer, living in Zambia.
View all posts by: Richard AltonLeave a Reply
Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
I’m glad to hear that they make em better and stronger in Zambia.
They need to make em better, Terry. In Zambia saucepans are often used directly over a charcoal fire.
As you say, I think it’s good to give somewhere sense of place, in order to tell a story. A bleak, ice covered landscape with a polar bear on the horizon would say the Arctic. Whereas the exactly the same photograph with the bear replaced by a penguin in the distance could only be the Antarctic.
Thanks, Eliot. The difficulty can be in taking pictures which aren’t cliches.